My new workshop and video-fun collaboration with Tallulah

Just an update on what I've been up to recently... I have taken a giant leap towards online teaching these past two months, so at home I teach art to Tallulah (or she teachers me?), and online I teach other artists, or shall I say I share all my art experience, tips and tricks with all of you – wonderful creative souls. This is one of the artworks I created for my workshop:

The workshop is already full and registration is closing tomorrow, Friday 28^th. It's called “Creating Soulful Art With A Story” and starts on 7^th September 2015. Although it is only 1 week workshop, it has 8 comprehensive instructional videos and might take 2-3 weeks for students to work through. Good news is – I will be available for full support for the duration of whole September. Registration will ten re-open on 1^st October on a self-study basis. More info here (if PayPal button there is gone, it means registration is closed).

I was also excited to receive invitations to teach on other 2 large and popular workshops in 2016, but on that I will talk in a few days. For now it’s a SECRET and I hope you can keep it just for few days longer. :)

Me and Tallulah have been busy experimenting with collaboration on painting faces, taking turns on various stages of the face, and pulling each other into different directions. Well, she definitely pulled me into her direction. I started out with sombre palette, but she moved me into more loose, more abstract and more vibrant face. Her contribution have definitely gave it a more layered intriguing look. Have a look at this fun fast paced 10 minutes video of our collaboration:

Paint My Face - Artist Annie Hamman paints a face with 3 years old Tallulah Jade Rainbow from Annie Hamman on Vimeo.

To read more about Tallulah Jade Rainbow and her painting process, and also to see more videos of her painting large abstract paintings, please visit her personal blog: rainbowgirl.co.za

Tallulah is a professional artist who held her 1^st solo art exhibition at the age of 3 at Bellini Gallery, here in Hermanus, with approximately 30 canvases displayed.

"Somewhere Over The Rainbow", acrylics on canvas board. Created with Tallulah Jade rainbow and shown in above video. Available in my Etsy Shop:

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Transforming few old artworks

Lately I've been digging out some old not very effective artworks and giving them new life. Here are 4 that I just finished and finally quite happy with. Sometimes revival of old proves to be wrong move, when people say that they love old version better, but important thing is that you as an artist happy with final result. Bottom line is: we are not making art to please others, unless it's commissioned work. This one is acrylic on canvas, painted with a small palette knife, but I redone her with brush and more fresh realistic skin tone. Values were also corrected which I think made it more effective. "Listener":

She used to be a simple monoprint in oils, so I gave her a couple of fresh oil layers. "She spoke the truth":

Update in oils. "On the road you warned me about, I go with wavering heart":

Below work was done on 2006, 9 years ago, I used to live in Micronesian islands then, and photographed this native girl somewhere on the road. It might have been my first ever attempt to paint a face, after years of still life, flowers and journaling. So, yea, she was flat and uninteresting and collected dust in my studio ever since. I was not happy with the artwork, but could not give up on it and dragged her all the way from Micronesia to South Africa (24'X30'):

So I gave her a fresh new life and named her "Spring". I painted her face, then Tallulah joined me and helped me to collage lives and paint the tree. Tallulah's free and fearless influence is obvious here and I enjoyed her fresh approach. It is now framed and gracing a wall in Tallulah's blue bedroom. Our first collaboration:

The battle with pastels...

I've tried pastels before, but this time decided to give them a serious go, to really get used to the medium and become comfortable with it. After each artwork I would post on Facebook stating "how I hate pastels", getting encouraging comments from friends to carry on and just get through the stage of mastering new medium. I was curious myself to see whether I really hate pastels or am I just frightened by the new experience. I tried to listen to my thoughts and my heart through the process of creating, determined to see where the problem lies. I discovered that my main "hatred" lies in the uncomfortable scratchy sound pastel make, all the chalky dust they create, that feels so unpleasant on my fingers, and the constant feeling of missing meditative quality of acrylics, that gliding and flow and caress of the brush on canvas. Just to make me doubt my hatred, pastels loved me unconditionally, and the artworks took forms in the glowing soulful faces staring down at me with the question in their eyes: "What is the problem?"  So, here they are, born from the love-hate relationship:

Did me and pastels reconcile our differences? I can't tell. For now, I am giving pastels a cold shoulder and move to my old love - acrylics. And as if struggle within myself is not big enough, I just ordered more pastels from DickBlick. The divorce is not final, so it seems.

Mixed-media and acrylics: soulful art

Been busy with two Misty Mawn workshops online and simultaneously created few large artworks, if not directly related to, but definitely inspired by these workshops. Some of these works are available in my Etsy shop. If you do not see an artwork in the Etsy shop, please inquire about it. Anna. Resignation, acrylics on paper, 20'X28'. Available:

The furthest I have been from home. Acrylics and mixed media on paper, 21'X29'. Sold:

Harvest II, acrylics and mixed media on paper, 24'X28'. Sold:

Moon persuasion, acrylics and white sharpie on canvas board, 16'X20'. Available:

Collage and ink art with my toddler

Today I gave my 3 year old baby Tallulah her first art journal. I made these books from a good quality 300lbs watercolor paper, so she got one, and I got one. Gave her a photo of a girl's face from a magazine and explained the concept of "reference image". I was in doubts whether my lecture is age-appropriate, but she listened intently. I drew an oval on her page and asked her to collage pieces inside it. I prepared pieces in advance, mostly pink, purple, blue and other happy colors, thinking that as a child she would want them. No ways. She scratched for some black an white and neutral tones and started to glue. -Tallulah, what about all these lovely pinks and purples?

She looked at me like I was stupid and replied:

- The reference image is in black and white, mama.

I think  she added couple of purples just to make me happy, :-/  After she done gluing, I gave her calligraphy nib pen and black acrylic ink and suggested to draw a face over it. Surprisingly she kept looking at the reference image throughout her drawing and concentrated intently.

I made one drawing too in my art journal, and we ended up having the same color palette, since she refused the "childish" one and and went for my collage pieces.

Here is Tallulah's:

And here is mine:

Our brand new hand-made journals made with Coptic binding technique: